Digi-Frame DF-F1043b Betriebsanweisung PDF herunterladen (Seite 48)

664 User Guide and Technical Information

v. 1.0 Features and specifications are subject to change. Visit www.sounddevices.com for the latest documentation.

Analog Outputs

Output Type

XLR Line: Transformer-balanced for use with ≥600 ohm inputs

XLR -10: Transformer-balanced for use with ≥10k ohm inputs

XLR Mic: Transformer-balanced for use with ≥600 ohm inputs

10-pin Hirose Line: Transformer-balanced for use with ≥600 ohm inputs

10-pin Hirose -10: Transformer-balanced for use with ≥10k ohm inputs

10-pin Hirose Mic: Transformer-balanced for use with ≥600 ohm inputs

TA3 Active Balanced Mic/Line: pin-2 and 3 driven, for use with ≥3k ohm inputs

TA3 Active Balanced Direct Outs Mic/Line: pin-2 and 3 driven, for use with ≥3k ohm inputs

Tape Outs (3.5 mm and TA3-type): Unbalanced, stereo, for use with ≥6k ohm inputs

Headphones (3.5 mm and 1/4”): Unbalanced, stereo, for use with 8-2k ohm headphones

Output Impedance

(ohms actual)

XLR: 100 ohms at Line setting, 3.2k ohms at -10 setting, 150 ohms at Mic setting

10-pin Hirose: 100 ohms at Line setting, 3.2k ohms at -10 setting, 150 ohms at Mic setting

TA3 Balanced Outs: 1k ohms at Mic and Line settings

TA3 Direct Outs: 1k ohms at Mic and Line settings

Tape Outs (3.5 mm and TA3-type): 1.8k ohms

Headphones (3.5 mm and 1/4”): 50 ohms

Line Output Clipping Level

(1% THD)

20 dBu minimum with 10k load

Maximum Output Level

Line (XLR, 10-pin Hirose, TA3 Balanced and Direct Outs): +20 dBu (7.8 Vrms)

-10 (XLR, 10-pin Hirose): +6 dBu (1.5 V rms)

Mic (XLR, 10-pin Hirose, TA3 Balanced and Direct Outs): -20 dBu (0.078 Vrms)

Tape Outs (3.5 mm and TA3-type): +6 dBu (1.5 Vrms)

Output Limiters

Affects the outputs of the mixer.

Threshold selectable from +4 dBu to +20 dBu,

1 dB steps, 20:1 limiting ratio, 1 mS attack time, 500 mS release time.

Maximum Gain

Typical (Trim, Fader, Master,

Phones, RTN A, RTN B, RTN C

fully up)

MIC Level

Input

LINE Level

Input

RTN

A/B/C

Master Outs (XLR, 10-pin, TA3) @ LINE 93 dB 53 dB -

Master Outs (XLR, 10-pin, TA3) @ -10 79 dB 39 dB -

Master Outs (XLR, 10-pin, TA3) @ MIC 53 dB 13 dB -

Direct Outs Post-Fade (TA3) @ LINE 87 dB 47 dB -

Direct Outs Post-Fader (TA3) @ -10 73 dB 33 dB

Direct Outs Post-Fader (TA3) @ MIC 47 dB 7 dB -

Direct Outs Pre-Fader (TA3) @ LINE 72 dB 32 dB -

Direct Outs Pre-Fader (TA3) @ -10 58 dB 18 dB -

Direct Outs Pre-Fader (TA3) @ MIC 32 dB -8 dB -

Tape Out (TA3 and 3.5 mm) 79 dB 39 dB 6 dB

Headphones (1/4” and 3.5 mm) 107 dB 67 dB 34 dB

Digital Outputs/Recorder

AES3 Output:

Transformer-balanced AES Out A,B on XLR and 10-pin Hirose connectors, AES Out C on

Hirose 10-pin connector

110 ohm, 2 V p-p, AES and S/PDIF compatible with RCA adaptor

Sampling Frequency

44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz

A/D

24 bit

A/D Dynamic Range

114 dB, A-weighted, typical

Media Type

Secure Digital High Capacity (SDHC), Secure Digital (SD), CompactFlash (CF)

FAT32 formatted, will format media on-board

File Type

Record: WAV ( Broadcast Wave File format), polyphonic

Playback: WAV (Broadcast Wave File format), polyphonic

Sampling Clock Accuracy

± 0.2ppm

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